"Only last week; it seems a hundred years. We've worked here as fast as we worked there, but I'm not settled yet: you'll see in the rest of the house. However, the worst is over." "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.!

Fleda pondered a moment. "If she did go back that night you would have heard from Waterbath by this time." Fleda had remained there, gathering in her purpose. "How little you know him!"

There came to her at her sister's no telegram in answer to her own: the rest of that day and the whole of the next elapsed without a word either from Owen or from his mother. She was free, however, to her infinite relief, from any direct dealing with suspense, and conscious, to her surprise, of nothing that could show her, or could show Maggie and her brother-in-law, that she was excited. Her excitement was composed of pulses as swift and fine as the revolutions of a spinning top: she supposed she was going round, but she went round so fast that she couldn't even feel herself move. Her emotion occupied some quarter of her soul that had closed its doors for the day and shut out even her own sense of it; she might perhaps have heard something if she had pressed her ear to a partition. Instead of that she sat with her patience in a cold, still chamber from which she could look out in quite another direction. This was to have achieved an equilibrium to which she couldn't have given a name: indifference, resignation, despair were the terms of a forgotten tongue. The time even seemed not long, for the stages of the journey were the items of Mrs. Gereth's surrender. The detail of that performance, which filled the scene, was what Fleda had now before her eyes. The part of her loss that she could think of was the reconstituted splendor of Poynton. It was the beauty she was most touched by that, in tons, she had lost—the beauty that, charged upon big wagons, had safely crept back to its home. But the loss was a gain to memory and love; it was to her too, at last, that, in condonation of her treachery, the old things had crept back. She greeted them with open arms; she thought of them hour after hour; they made a company with which solitude was warm and a picture that, at this crisis, overlaid poor Maggie's scant mahogany. It was really her obliterated passion that had revived, and with it an immense assent to Mrs. Gereth's early judgment of her. She too, she felt, was of the religion, and like any other of the passionately pious she could worship now even in the desert. Yes, it was all for her; far round as she had gone she had been strong enough: her love had gathered in the spoils. She wanted indeed no catalogue to count them over; the array of them, miles away, was complete; each piece, in its turn, was perfect to her; she could have drawn up a catalogue from memory. Thus again she lived with them, and she thought of them without a question of any personal right. That they might have been, that they might still be hers, that they were perhaps already another's, were ideas that had too little to say to her. They were nobody's at all—too proud, unlike base animals and humans, to be reducible to anything so narrow. It was Poynton that was theirs; they had simply recovered their own. The joy of that for them was the source of the strange peace in which the girl found herself floating. "No, Fleda, I don't understand you," said Mrs. Gereth, finally facing her again. "I don't understand you at all, and it's as if you and Owen were of quite another race and another flesh. You make me feel very old-fashioned and simple and bad. But you must take me as I am, since you take so much else with me!" She spoke now with the drop of her resentment, with a dry and weary calm. "It would have been better for me if I had never known you," she pursued, "and certainly better if I hadn't taken such an extraordinary fancy to you. But that too was inevitable: everything, I suppose, is inevitable. It was all my own doing—you didn't run after me: I pounced on you and caught you up. You're a stiff little beggar, in spite of your pretty manners: yes, you're hideously misleading. I hope you feel how handsome it is of me to recognize the independence of your character. It was your clever sympathy that did it—your extraordinary feeling for those accursed vanities. You were sharper about them than any one I had ever known, and that was a thing I simply couldn't resist. Well," the poor lady concluded after a pause, "you see where it has landed us!" These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"